Category Television

Window Film Chicago

Start the car window tinted is actually quite easy. That is why they do it yourself window tinting is used at times. The whole process consists of three steps toward him. Windows should be cleaned, the film is applied, and finally, a squeegee tool took water and air. That is all you need to do it yourself tinting the windows and kits are available with pre-cut models of color. If Tinted glass well enough, do it yourself job can look like it was done by a professional company. We will discuss the steps to do it yourself Tinted glass, as well as certain types of tinting kits are available.

There are three steps to do it yourself tinted glass, each is quite simple. The first step is to clean windows that will have shade. Next tinting film is applied to the window and squeegee tool is used to displace air and water. After Tinted glass is made, the window is ready. On average it takes about four hours for the beginner to the Do-It-Yourself Projects to completely shade all the windows except the windshield the car.

The whole process to do it yourself home window tinting chicago is actually quite easy. This can be tedious at times, but once finished, the car or the house will be beautifully tinted windows. There are several colors and types of tinting material that people can buy. The hardest and most time consuming part for beginners cutting tinting material on the window size. Fortunately, most of the material pre-cut kits for the car or at home.

Our residential films are designed to function at maximum performance while still allowing a comfortable amount light to enter your home. Stop keeping the shades drawn all day and enjoy your view! Preview films in our Virtual Tour and see how much of your view is preserved in every popular film we install.

What is included in the commercial window tinting chicago first, and most importantly, factual nuance main piece of kit. Most of the time they will be cut for Windows specific cars, but sometimes a person will have to cut the material itself. Most kits will also come with the type of instruction booklet and video. Better to do it yourself window tinting kits actually come with the tools necessary to tint the windows. A person can just go out and buy a set for my car and put the tint on the windows as the Do-It-Yourself project.

Most do it yourself Tinted glass designs are made with a kit that comes with the tinting material, manuals, and sometimes tools. Typically, shade will be cut for the car or at home, but there are some where the person to cut it himself. Three Steps to tinting the windows clean windows, apply color film and squeegee out the water or air. Tinted glass projects easier.

Chicago Window Film. Home Window Tinting & Commercial Window Tinting Chicago. Solar Window Film & Frosted Window Film.

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Cool Led Tv images

A few nice led tv images I found:

Glastonmudbury
led tv
Image by brizzle born and bred
Weather forecast for Glastonbury Festival 2014: It’s going to rain (like it does every year) Glastonbury Festival: revellers put on a brave face as mud returns

It wouldn’t be the same without it.

Mud, mud, glorious mud and rainsodden tents – thanks to hailstones and lightning storms which hit the festival last night during the first top acts.

Canadian rockers Arcade Fire headlined the Pyramid stage during a heavy downpour while Rudimental were forced to cut short their set due to an electrical storm.

Music on all outside stages – and many inside ones – was suspended as the storm hit late in the afternoon.

The cloudburst lasted more than an hour and organisers took the decision within minutes to close the stages, as some festivalgoers took cover to escape torrential rain and hailstones.

The thunderstorm began at around 5pm, but the rain did not start for another 20 minutes.

By 6.45pm the storm had passed and the music started once again.

Early estimates indicate that around half an inch of rain fell on the festival site in less than an hour, turning the vast areas of Worthy Farm into a mudbath.

It is the first time in many years that an electrical storm has stopped the entertainment in mid-flow.

The cloudburst lasted more than an hour and organisers took the decision within minutes to close the stages, as some festivalgoers took cover to escape torrential rain and hailstones.

It is the first time in many years that an electrical storm has stopped the entertainment in mid-flow.

The thunderstorm began at around 5pm, but the rain did not start for another 20 minutes.

By 6.45pm the storm had passed and the music started once again.

Early estimates indicate that around half an inch of rain fell on the festival site in less than an hour, turning the vast areas of Worthy Farm into a mudbath.

It is the first time in many years that an electrical storm has stopped the entertainment in mid-flow.

The downpours led to woodchips being spread over large parts of the Glastonmudbury site to soak up waterlogged fields.

The muddiest year was in 1997 when 78mm of rain fell eight out of nine days in the run-up to the event.

Glastonbury over the years

WHEN a few hundred hippies gathered in a field near Glastonbury in 1970 no one could have envisaged that they were witnessing the birth of the world’s largest open-air music festival. It was the day after Jimi hendrix died and the £1 admission cost included milk from the nearby dairy farm.

Organisers unwittingly enlisted the local hell’s Angels chapter to handle security but they are said to have made off with the ox roast.

Although memories of that first Glastonbury are now hazy it is widely accepted that a Bristol rock band called Stackridge has the distinction of being the first to perform at this now legendary festival.

As Glastonbury celebrates its 40th anniversary later this month more than 170,000 people, the equivalent of the population of Peterborough, will descend on this beautiful corner of Somerset for the latest four-day extravaganza.

The event has survived floods, lightning strikes and a gatecrashing crisis 10 years ago, which resulted in an estimated 200,000 people cramming on to Worthy Farm to set a record attendance.

Glastonbury has become a monster yet when the last drum roll has been sounded, the stages dismantled and 800 stalls selling everything from blankets to burgers cleared away, it reverts to a working farm.

Visit in late summer and the chances are you will spot a badger snuffling in the hedgerows. For that reason staging Glastonbury poses one of the biggest challenges in the entertainment business.

For the BBC too, which will be at Glastonbury in force, the festival is a military- style operation that will result in more than 40 hours of live radio and TV broadcasting.

That level of organisation is in stark contrast to the 1970 festival, which wasn’t happening at all until a group of travellers from Stonehenge arrived unexpectedly and threw it all together at the last minute. now nothing is left to chance.

An army of 34,000 workers including 400 first-aiders puts it all together. A huge 32-ton roller is used to flatten the uneven ground to prevent sprained ankles, while tractors fitted with magnets scour the site after- wards to scoop up hundreds of lost and discarded tent pegs which could harm wildlife. There are 20 bars, 300 showers and about 4,500 toilets.

This year the site has been ex- tended to cover almost 1,300 acres with a perimeter security fence stretching almost six miles.

The BBC will be taking almost 40 miles of cable and 47 cameras, while Glastonbury even has two underground, terrorist-proof reservoirs that can each hold one million litres of water.

“It is a balancing act because Glastonbury is both farm and festival,” says infrastructure manager Phil Miller.

“You can’t just concrete the place to make the job easier. I’m a laid back chap but from the beginning of May I do have sleepless nights with lists whirring through my head. Probably my worst nightmare is beyond my control: the weather.” The Glastonbury mud is the stuff of legends. In 2005 dinghies not wellies were the order of the day when two months of rain fell on the festival in a few hours.

The main stage, the Pyramid, was under a foot of water and power was lost. half a mile of pipes has since been installed to improve drainage but almost as bad can be a long, dry spell, which results in clouds of unbearable dust as lorries trundle in.

Although it is now possible to have a “Glastonbury-lite” experience by venturing in and out for performances, some 85,000 people will camp in the Worthy Farm grounds this year. Sewage must be collected each night, stored in a 750,000-gallon lagoon and taken away for disposal in hundreds of tankers. Scores of mobile telephones, unwittingly dropped down toilets, are first fished out.

The booking of bands is a round- the-year job but work begins in earnest to prepare the site in February. Only the main stage is permanent, the other nine have to be constructed from scratch, while it takes about a month to dismantle everything.

Power cuts are a disaster in waiting for any music festival so Glastonbury has both mains electricity and sufficient generators to supply a small town in the event of a failure.

Miller says that the 15-feet high security fence, which also spans the river that cuts the site almost in two, is impenetrable.

One of the low points in the festival’s history was the post-ponement of the 2001 event to give organisers time to react to the mass invasion by gatecrashers that had happened the previous year.

The BBC has been broadcasting from the festival since 1985 on radio, followed by television coverage in 1997. Mark Cooper, the corporation’s executive producer for television, hasn’t missed a festival since those first images were beamed to the nation’s living rooms.

This year more than 16million viewers will tune in to watch the festival on three BBC channels, plus there is online coverage.

“It’s the mother of all festivals,” says Cooper. “In terms of television coverage Glastonbury has become the biggest music event in the world but we started with just eight hours on BBC2.”

This year across the BBC network, including online and on the interactive red button, there will be 157 hours of live and recorded coverage.

Its army of workers will get through 80 pints of milk and 10 tins of biscuits each day. Like Miller, Cooper fears the elements the most. Past BBC coverage has been threatened by 60mph winds and countless torrential downpours.

“At times the weather has been biblical,” says Cooper. “I can remember John Peel standing under an umbrella

in 2005 saying: ‘It’s the end of the world’. Our position was near a stream that had burst its banks and we had to rebuild it in a completely different area. no equipment is weather-proof but so far we’ve never been forced off air.

That would be unthinkable.” Cooper’s own biggest personal disaster was forgetting his wellies one year but he says. “Communications are one of the biggest issues.

“In the early days there was no mobile phone signal at Glastonbury. even now when all the trucks are linked by intercom it’s often easier to walk to sort things out but try doing that in six inches of mud or worse. It’s slow and exhausting.”

In many respects Glastonbury, which this year runs between June 24 to 27, is even bigger than events such as the World Cup when the BBC can rely on feed from host broadcasters. At the festival every minute of coverage is self-generated.

Covering Glastonbury costs the BBC an estimated £1.5million. Paul Rodgers, editor of the BBC’s 6 Music, says:

“The festival is now part of our cultural heritage.

“For us, planning is now taking place almost all year round. If we don’t get the sound right there’s not much point in us being there.”

Both 6 Music and Radio 1 will have their own studios containing charts showing where every worker and piece of equipment is. Last year the corporation had to react to the unfortunate death of Michael Jackson, which forced a sudden change of plans as reporters were dispatched to every corner of the grounds to seek reaction from the stars.

“It’s a live event so it’s inevitable that some of our coverage is on the hoof but that is what makes it so exciting,” adds Rodgers.

“The worst possible case scenario for us would be a total technical blackout.” Plenty of spares are packed because popping out to the BBC storeroom or the shops for a replacement light bulb is not really an option at the festival.

Another problem for the BBC is securing agreement from the stars about how much of their set can be broadcast. In the past David Bowie and Rod Stewart have limited live coverage to a handful of songs.

Last year Bruce Springsteen topped the bill triumphantly with a two-and-half hour set which cost the organisers a £3,000 fine for breaking a midnight curfew.

Such is the lure of the festival that leading musicians and bands regularly agree to perform for a fraction of their normal fees. Residents in the nearby hamlets of Pilton, Pill and Sticklynch are generally a tolerant lot, although some are known to decamp for festival week, or they make a few bob by renting out their homes. Tradition- ally the villagers are given free tickets.

Despite all the meticulous planning the unexpected can and does happen. This year Glastonbury lost one of its headline acts, U2, after a back injury suffered by Bono forced the band’s late withdrawal. For Michael Eavis, the dairy farm owner and Glastonbury founder, it meant a frantic search for a replacement before Gorillaz stepped in.

There is barely a big band that hasn’t performed there but he has still to entice the Rolling Stones and Led Zeppelin to play. His daughter Emily, who works behind the scenes to arrange the line-up, says the main criterion for selection is stage presence.

“You need to be able to play a really good live set. We’re not bothered about how many records you’ve sold.”

They were initially told by Springsteen’s agent that they couldn’t afford him but the Boss relented after being sent a dossier about the festival’s history and donations to good causes.

The power of Glastonbury had worked its magic again.

The Cats of Riga
led tv
Image by A.Davey
Why are we in the Baltics? It’s all because of a TV program, "The Dogs of Riga." It’s a police procedural based on a book by Henning Mankell. After watching it, we found ourselves wondering what Riga is like. One thing led to another, and here we are!

So far, every cat we’ve seen in Riga has been black and white. This B&W puss was basking in the morning sun, a million miles away from everything, until we came along like a pack of paparazzi and interrupted her morning meditations. No wonder she looks miffed.

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Nice Radio photos

A few nice radio images I found:

Radio Shack
radio
Image by JeepersMedia
Radio Shack Store Sign by Mike Mozart of TheToyChannel and JeepersMedia on YouTube.

Radio Shack
radio
Image by JeepersMedia
Radio Shack Catalog 1988, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube

Radio Shack
radio
Image by JeepersMedia
Radio Shack, Hamden, CT 8/2014, by Mike Mozart of TheToyChannel and JeepersMedia on YouTube

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TV

Some cool tv images:

TV
tv
Image by Apesod

tvs
tv
Image by ben.h

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Window Film for Home

There are many home products out there that turns out to be useless. There is one product that is of exception and they are glass films. They are long lasting and is made of vinyl.

Window films are not new in the market. Previously, for decades, automobile industry have been using them. All around town, you will find houses using glass films today.

In the market today, you can find to types of films. They come as adhesive based and adhesive free. It is widely recommended that home owners buy self adhesive glass films. In the market today, there are dozens of designs available for glass film.

You can install glass films as a DIY project. The entire process usually takes around fifteen minutes. You can work totally on your own to install the glass films. For really large window, work in a team of two persons.

Installing glass film on your own means that you should buy those that is of self adhesive nature. You will need very simple tools such as a squeegee, a spray bottle and an utility knife to install them. Just borrow the tools from your neighbors if you do not have them.

You may have myriad of reasons why you want to put up glass films. Glare control is the most common reason. With the glass film installed, you can watch TV or a computer monitor more comfortable.

Window film makes your house more energy efficient. There are also many people who installed glass films to filter out solar ray. The interior of the house will be cooler with glass films installed.

As heat is kept out, the air conditioner may be turned down. Window films help to retain heat in the house and at night, you may turn down your heater. Over the period of one year, the savings in your electricity bill can be significant.

There are also many home owners who install glass films for the purpose of decoration. Conventionally, curtains and draperies are widely used for window treatment. Nowadays, home owners, architects and builders simply use glass films to decorate and dress up their windows.

Some of the more popular designs that are frequently used for decoration purpose is the frosted glass and the stained glass design. Fifteen minutes is all you need to transform very plain looking glass to become frosted glass or stained glass. Window film application is the cheapest way that you can find to quickly carry out window treatment.

There are many more benefits of using window film. You may conveniently buy diy glass film from many stores throughout the nation. You can also conveniently buy it from online store if you want to save a trip to a physical store. All merchandisers usually provide you with three years of warranty for the product. It is usual for stained glass film to be twice as long lasting as its warranty.

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tv trash

Check out these morocco tv images:

tv trash
morocco tv
Image by nako

Morocco television programme stirs controversy | ?????? ???????? ????? ???? ????? | Une émission télé suscite la controverse au Maroc
morocco tv
Image by Magharebia
Medi 1 TV’s Masrah Al Jarima recreates events leading to notorious crime and terrorist events.
www.magharebia.com/r/9jif

????? ???? ??????? ???? ???? ???? ???? 1 ??????????? ???? ????? ??????? ???? ??? ??? ?????? ????? ????? ?????? ???????.
www.magharebia.com/r/9jig

”Masrah Al Jarima”, diffusé sur la chaîne Medi 1 TV, reconstitue les évènements qui ont mené à des crimes notoires et à des attentats terroristes.
www.magharebia.com/r/9jih

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Cool Audio images

Check out these audio images:

Microphone
audio
Image by quinn.anya
From the audio booth at work

Master
audio
Image by giu-di

audio_201204_139
audio
Image by xkojix
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Film Like A Pro

Are you a budding Hitchcock or a wannabe Spielberg but have never had the money to make your very own film? Well, now there is no excuse as it has never been easier to grab a camera and create your very own Oscar worthy cinematic masterpiece. Films like The Blair Witch Project and Paranormal Activity have shown just how easy it is to create a fantastic low budget movie that can be a huge global success in its own right. So, if you’re a budding filmmaker, or just a newbie filming enthusiast, there are a few simple tips you can follow to make sure you get the most professional looking work out of your low cost equipment.

Getting the right equipment together for your film shoot can be not only tricky, but expensive too. However, if you are looking to use the same state of the art camera and lights that they use in Hollywood, but you’re looking for a more authentic, low key look for your film there are plenty of low budget cameras available on the market that can do the job well. When you’re shooting your film always remember that the narrative and acting are two of the most important things to get right if you want to make a good impression. You can be forgiven for the quality of your shots if the story is well told and you have good enough actors to pull it off.

Once you’ve got all the shots you want in the can, it’s time to edit together your film and add those finishing touches to complete your movie. Things like transitions, a title sequence and music can all be added at this stage, and you can also move around scenes to make sure you get your masterpiece just the way you want it. If you really want to give your film the professional edge add some credits to the end and make up an official film company logo which you can reuse again and again on your work.

Most new computers will have some sort of in built film editing software for you to use but if you really want to splash out you can opt to buy a specific editing programme so you can give your movies the professional touch. With these programmes you can add colour to your film and you will find a greater range of cutting and editing tools than a run of the mill programmes you can get for free.

Whether you are shooting your film on a small hd camcorder or you are taking out a loan to hire some top class equipment, creating a film you can be proud of takes determination, skill and a lot of creativity, no matter what kind of tools you are using. So if you are keen to put your film skills to good use, grab a low budget camera and get shooting, and you could be collecting that Bafta in no time.

Paul Buchanan writes for a digital marketing agency. This article has been commissioned by a client of said agency. This article is not designed to promote, but should be considered professional content.

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Development

Some cool morocco tv images:

Development
morocco tv
Image by tgraham

IMGP1174_HDR_hdr_mode_1
morocco tv
Image by jorsym
Source Images:
IMGP1174_HDR.JPG (Av: F16.0; Tv: 1/90 sec.; ISO: 0; FL: 55.0 mm)
Processing:
Fusion F.1 (HDR; Mode 1)

tv city
morocco tv
Image by g-squared

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Audio Mastering

Have you ever wondered why the music on the radio seems so much different than music that you might record yourself? It has a polished sound, and everything seems to flow together so much better. This is because all music that you hear on the radio has been mastered.

Mastering is a process that a song goes through after it has been recorded, which prepares it and transfers to a data storage device. This copy, which is called “The Master” is the one from which all other copies are made. During the mastering process, the original sound recording is equalized, compressed, and edited for noise reduction to eliminate clicks, dropouts, hum and hiss. The levels or the volume might be adjusted, the song may be edited, a fade in or out may be added, or any other enhancements may be added. The mastering process is different for every song, because each recording will have unique flaws that require editing. Ambience or additional sounds may also be added during the mastering process. Also, a skilled audio mastering technician can create different effects, such as making your music sound like it is a vintage recording.

In the olden days, mastering used to be done using massive tape machines and then acetate pressings. The machines and tools needed to do this were expensive, cumbersome, and difficult to operate. However, now we have the benefit of computer software, which means that there are many easy to operate and affordable digital audio editing programs on the market. You can purchase one of these and teach yourself how to master your own tracks, or you can choose to have your audio mastered by a professional mastering engineer. There are advantages to both, but the thing to remember is that while anyone can learn to operate a digital editing program, a truly great audio mastering engineer simply has an ‘ear’ for music which is a talent that cannot be learned.

If you are a recording artist producing your first album, it is important that you make sure that your music is audio mastered properly. It takes a bit longer and there is a small cost, but the difference in sound quality is the difference between something that sounds like it was recorded on budget home recording equipment, to something that sounds like a professional track that could be played on the radio. You can be the best song writer or musician of all time, but if the sound quality on your recordings is terrible, no one will ever want to buy your records. Audio mastering simply takes your raw materials and polishes the rough edges so that your great lyrics and melody shine.

Thegrandmasters.co.uk is South Manchester’s premier audio mastering facility. We provide a professional service at affordable prices; visit our site for more information.

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